Comic Book Historians
As featured on LEGO.com, Marvel.com, Slugfest, NPR, Wall Street Journal and the Today Show, host & series producer Alex Grand, author of Understanding Superhero Comic Books (with various co-hosts such as Bill Field, David Armstrong, N. Scott Robinson, Ph.D. and Jim Thompson) and guests engage in a Journalistic Comic Book Historical discussion between professionals, historians and scholars in determining what happened and when in comics, from strips and pulps to the platinum age comic book, through golden, silver, bronze and then toward modern
Support us at https://www.patreon.com/comicbookhistorians.
Read Alex Grand's Understanding Superhero Comic Books published by McFarland & Company here at: https://a.co/d/2PlsODN
Series directed, produced & edited by Alex Grand
All episodes ©Comic Book Historians LLC.
Comic Book Historians
Irwin Hasen & Harry Lampert interviews by David Armstrong
David Armstrong interviewed Golden Age great, Irwin Hasen in 1999 on set at San Diego Comic Con about his entry into comic books in the late 1930s, illustrating sports figures for newspapers including an interesting experience at the Daily Worker, working for Harry Chesler, covers for DC Comics, rivalry with Shelley Mayer, contributing to the Justice Society of America, working with Bill Finger, Alex Toth and a tense situation at a syndicate that caused him to walk away from a strip before creating Dondi. Armstrong also interviewed Golden Age great, Harry Lampert in 2000 on set at San Diego Comic Con about his entry into Max Fleischer's animation studio, entering comic books with Sheldon Mayer at All-American comics, working under Max Charles Gaines, co-creating the Flash with Gardner Fox, his humor approach to comics, penciling the Justice Society of America, joining the Army, working with Siegel and Shuster, Harry Donenfeld, Irwin Hasen, and DC filler pages after World War 2, until starting his own very successful advertising agency. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.
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